wings mastering
mixing & mastering
about us
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- Online Stereo-Mastering
- Stem-Mastering
- DDP Master Image
- Mixing
- Stem-Mixing
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wings mastering
Wings Mastering pursues the basic idea of working together with artists to finance a mixdown or mastering.
With the possibility of streaming in 16-32 bit and 44.1 kHz PCM directly into the monitoring environment of our customers, it is possible to effectively record, implement and listen to customer requests live. This method is a great advantage when finalising a mixdown in collaboration with the artists, as it is not always possible to attend in the studio.
Also in mastering and especially stem mastering, the last subtleties and details can be discussed before the finalisation to the desired delivery formats takes place.
engineer
Since 2006 Daniel has been active in the music business and has started with his own productions and mixes.
Over the years, he has developed through training and further education to the point of becoming a mixing and mastering engineer and is always and constantly concerned with changes, innovations or the necessary technology in the digital and analogue field.
He has a degree in medical engineering and has worked on psychoacoustics and effects, as well as sound absorbers for recording noise levels and spectra.
Audio technology is not only a field of application for Daniel, he planned, built and programmed midi controllers and filters for his own use in productions or to simplify the workflow.
His goal is to deliver the best possible result for the customer and personal contact in the form of exchange, recommendations and mutual growth is very important to him.
mixing & mastering
mixing
The aim of mixing is to bring all the individual tracks to a finished mixdown. The individual tracks should be processed into a homogeneous, balanced mix and reflect the thoughts, emotions and vision of the artists.
In most cases, the mixdown consists of a stereo track made up of the left and right channels.
Stem mixing is based on groups of audio tracks, also called subgroups or submixes. Here, each individual track is not processed and brought to the mixdown, but the group tracks are mixed, balanced and brought to the final mixdown.
The exchange between artists and mixing engineers is indispensable in this process to achieve the desired result.
mastering
The aim of mastering is to bring the mixes from an album or the individual mixdowns into one unit. Mastering is to be seen as a final process that adjusts loudnesses according to the delivery formats. Here the focus is on a balanced frequency spectrum, the loudness of the tracks, the dynamics and the pauses for the transitions of the individual tracks on an album. Fade-ins and fade-outs can be set to create the best possible listening experience.
Stem mastering is a technique derived from stem mixing. As with stem mixing, the grouped audio tracks can be processed individually. It is used to allow independent control and signal processing of each individual stem. This allows the stems to be manipulated independently. The intervention possibilities and the change of the character of the mix can be a consequence of this way of working.
The coordination of the mastering engineer with the artist or mixing engineer is very important here.
Equipment
digital processing
Lexicon Hall
Weiss DS1-MK3
Weiss EQ1-DYN-LP
Tokyo Dawn Labs complete bundle
Fabfilter Mastering bundle
DMG Audio Mastering
Softube Mix & Mastering
UAD Mix & Mastering
Leapwing complete bundle
Masterlab Audio Plugins
Massenburg Design Works
Evenide & Newfangled Audio
Liquid Sonics
Overloud
Sonnox Oxford Mix & Mastering
Sonible Bundle
Tone Project
Flux Audio Mix & Mastering
Vertigo Sound
Nugen Audio
Plugin Alliance Mix & Mastering bundle
Arturia complete bundle
analog processing & workflow
elysia xpressor neo
elysia xpressor
elysia xfilter Mastering Edition
elysia nvelope Mastering Edition
elysia nvelope
elysia karacter
A Thermos Mastering EQ
Tegeler Audio Manufaktur Vari Tube Compressor
Tegeler Audio Manufaktur Crème
Tegeler Audio Manufaktur Magnetismus 2
TK Audio TK-Lizer 2 Mastering EQ
Clariphonic MS Equalizer
SSL Fusion
SSL Type Bus Compressor
Pulltec Equalizer
Tegeler Audio Manufaktur Konnektor – Analoge Mastering Matrix
SPL MTC MK2
Steinberg CC121
Console 1 MKII
Monogram Console
Stream Deck MKII
workstation & converter
Mac Studio M1 Max
MacPro Xeon E5-1650 v2 6/3,5 GHz 64 GB RAM
MacBookPro 14″ M2 Pro 16 GB RAM
RME ADI Pro 2/4 32 Bit Wandler
RME UFX+ & ARC Control
Adam Audio A8H
Focal Clear MG Professional
AKG K-812
Sennheiser HD-600
Steinberg Nuendo 13
Steinberg Cubase 13 Pro
Steinberg Wavelab 12 Pro
Steinberg Spectral Layers 10 Pro
Steinberg Dorico 3
Studio One 6.5
Melodyne 5 Studio
iZotope RX 10 Advanced
iZotope Ozone 10 Advanced
Ableton Live 11
Audiomovers
Universal Audio UAD-2-SATELLITE-TB3-QUAD
Flux Audio Analyser
Pinguin Analyser
For detailed information on prices, you can open the website on your laptop, desktop computer or use the button below to view.
Online Stereo-Mastering → 1 CD/Club & Streaming Version
- 1-2 Tracks → 35 € / Track (1)
- > 2 Tracks → 30 € / Track (1)
- +10 € / Track (1)
Stem mastering → in addition to stereo mastering
- Rates from stereo mastering +€10 / stem (1)
DDP Master Image (incl. ISRC if available)
- ≤ 4 Tracks 30 € (1)
- > 4 Tracks + 5 € / Track (1)
Teams or Zoom Meeting & Live Audiostream pro Track
- 20 minutes incl. → > 20 min + 30 € / h (1)
Stereo Mixdown → Variants
- 50 € / h (1)
- Fixed price per track → 150 € (1,3)
Stem Mixdown → Variants
- 50 € / h (1)
- per Stem → 30 € (1)
Audio restoration
- Depending on the scope of the project
- < 1 h 45 € (1)
- > 1 h 50 € / h (1)
Revisions & Changes
- 1 change version for mastering or mixdown incl.
- Changes due to new recordings or a new mixdown → 20 € / track
(1) All prices are exclusive of VAT (19% VAT in Germany).
(2) We are certified for Apple Digital Masters
(3) If the effort for the mixdown is manageable and possible in less than 2.5 hours.
format • contact
For detailed information on delivery formats, you can open the website on your laptop, desktop computer or use the button below to view it.
| Description | Mixing | Mastering |
| Fundamental | All single tracks or stems must have the same starting point | All stems must have the same starting point 2 s lead time before the audio signal starts |
| File format | wav, aiff, flac | |
| Bit resolution and sample rate | 32 bit floating point (24 bit also possible) 44.1 kHz (88.2 kHz also possible) Audio for video 48 kHz (96 kHz also possible) | |
| Dithering | No dithering | |
| Fades | No fade in or out | |
| Single tracks and sum editing | No limiting of the individual tracks or stems | No finaliser, maximiser or limiter |
| loudness | No true peak overs | ca. -6 dB true peak headroom |
Delivery formats
| Description | Mixing | Mastering |
| Title descriptions | Clear naming of the individual tracks or stems | Unique naming of stems Please give tracks the correct numbering (01.trackname, 02.trackname...) |
| Further information | Artist name, Band name | Interpret, Artist name, Band name, Mixing Engineer |
contact
contact
Do you have unanswered questions or special requirements?
Contact us, we look forward to working with you.
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